SPOILER WARNING: In this article, I’m going to be discussing a number of key plot points for my Criterion Blogathon film of choice, THE BROOD. If you haven’t seen the film (and you should), or care about spoilers, perhaps you shouldn’t read the essay below. I realize this is a great way to maintain regular viewership for my new blog and promise to be less spoilery (even for 36 year old films) in the future (unless otherwise noted). Anyways, without further adieu, let the blogathoning begin.
Monsters have always fascinated movie goers. From Nosferatu in the early twenties, to Frankenstein in the 30s, to Godzilla in the 50s and 60s, to the zombies of today, audiences love a good monster. They are a foreign force, something wicked that taps into our instinctual fear of predators that go bump in the night. But, what happens when the real monster isn’t some mythical creature? What about when the real monster is us?
So, what better film to discuss on the topic of human monsters than David Cronenberg’s THE BROOD? What, did you expect a compelling human drama, or period piece that highlights the darkest aspects of the human soul? No, I’m going to talk about a film with actual, albeit unconventional monsters.